{"id":5230,"date":"2018-12-03T15:44:52","date_gmt":"2018-12-03T19:44:52","guid":{"rendered":"https:\/\/monastere.ca\/non-classifiee\/the-wax-jesus\/"},"modified":"2018-12-20T22:19:30","modified_gmt":"2018-12-21T02:19:30","slug":"the-wax-jesus","status":"publish","type":"post","link":"https:\/\/monastere.ca\/en\/culture-2\/the-wax-jesus\/","title":{"rendered":"The Wax Jesus"},"content":{"rendered":"
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For practicing Catholics, it is customary to place a Nativity scene at the foot of the Christmas tree as the Holidays approach. In the past, according to Augustinians sister\u2019s memories, each department in the H\u00f4tel-Dieu de Quebec Hospital was adorned with a Christmas cr\u00eache that included a little Jesus, which was made of wax in the monastery. For the Augustinian sisters, making the wax infant Jesus with red cheeks and baby face has a spiritual importance. <\/p>\n<\/div><\/div>\n\n\n\n\n\n

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A 17th<\/sup> century figurine<\/h3>\n<\/div><\/div>\n\n
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It was the communities of nuns (the Augustinians and the Ursulines) who brought the firsts wax Jesus to New France, where devotion to the Child Jesus was already well-anchored, especially among the Jesuits and later the Sulpicians. The oldest wax Jesus at the Monast\u00e8re des Augustines is on display at the museum. This piece, which dates back to the 17th century, was a gift from those whom the nuns call their “Mothers of France”: the Augustinians of Dieppe. This present, designed in France, likely at the founding monastery in Dieppe, was certainly an act of comfort on behalf of the French Augustinians in anticipation of the first Christmas their sisters would spend in New France; a celebration they had at the house of the Compagnie des Cent-Associ\u00e9s.<\/p>\n<\/div><\/div>\n\n

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\u00a9 Collections du Monast\u00e8re des Augustines, H\u00f4tel-Dieu de Qu\u00e9bec<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n
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A tradition<\/h3>\n<\/div><\/div>\n\n
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Today, there are about 75 wax Jesus figurines in Le Monast\u00e8re des Augustines museum storage facility, not counting some figurines preserved by the communities for their own use. Since the colony\u2019s beginnings, the Augustinians sisters specialized in making the wax baby Jesus figurines, using know-how passed down from generation to generation. There are also tools for their manufacture in the museum storage facility, including plaster moulds, glass eyes, and natural hair that was previously hand curled using a knitting needle. To learn more about their clothing, I invite you to read the article “Les Enfants J\u00e9sus de cire: une tradition des Augustines depuis 1639<\/a>,\u201d<\/em> on the Fiducie du patrimoine culturel des Augustines website (in French only).<\/p>\n<\/div><\/div>\n\n

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An act of devotion<\/h3>\n<\/div><\/div>\n\n
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For the “holy craftswoman”[1]<\/a>, to use an expression from ethnologist Marius Barbeau, making a wax baby Jesus was more than a hobby; it was an act of devotion that had to be done with care. The work must be done perfectly and in Christ\u2019s image.<\/p>\n<\/div><\/div>\n\n

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Today, Sister H\u00e9l\u00e8ne Marquis, the Saint-Augustin monastery\u2019s Mother Superior, still makes a few wax Jesus figurines every year. As the only member of her community still carrying this tradition, she ensures perfection in every detail of the figurine. The act of making a wax Jesus is not insignificant; while making the doll\u2019s hands, Sister Marquis thinks of the Lord, making sure that “his blessing hands take care to bless all the occupants of the house.” She also ensures that the statuette\u2019s gaze is “peaceful, sweet, and communicating joy.” She makes his legs thinking of people with reduced mobility and wants to ensure that they are “alert and good.” The dolls are fashioned in the image of baby Jesus who was incarnated to save the world; a wax Jesus therefore communicates Christian virtues[2]<\/a>.<\/p>\n<\/div><\/div>\n\n

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Fonds du monast\u00e8re des Augustines de l\u2019H\u00f4tel-Dieu de Gasp\u00e9
\u00a9 J\u00e9sus de cire, 20e si\u00e8cle, Gasp\u00e9, Le Monast\u00e8re des Augustines (HDG-G1-M1,5\/1:380<\/a>)<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n
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The Nativity is still relevant<\/h3>\n<\/div><\/div>\n\n
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Although the tradition of making a wax Jesus is endangered due to lack of succession and sharing knowledge, it is still carried out by the Augustinians. At the H\u00f4tel-Dieu de Qu\u00e9bec monastery, a nun sets up a Nativity scene in the chapel at the very beginning of Advent (the 4th Sunday before Christmas). At first, only Mary, the mother of baby Jesus, has an open Bible. Other characters and animals are added as the weeks pass. The Christ child is put into the crib on Christmas Day, along with the three kings at the Feast of Kings. Once completed, the set represents the Nativity scene, one of the founding stories of Christianity, which is the birth of Jesus Christ.<\/p>\n<\/div><\/div>\n\n

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\"Atelier
Workshop, 1950
Fonds Monast\u00e8re des Augustines de l\u2019H\u00f4pital g\u00e9n\u00e9ral de Qu\u00e9bec
\u00a9 Archives du Monast\u00e8re des Augustines<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n
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The Holiday season at the museum<\/h3>\n<\/div><\/div>\n\n
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In December, visitors taking the museum’s guided tour will have the opportunity to learn more about the holiday season for the Augustinian Sisters. The tour guides will add Christmas and New Year\u2019s information to their regular tours. It\u2019s a wonderful way to combine culture with the festive spirit!<\/p>\n<\/div><\/div>\n\n\n

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Sources :<\/strong><\/p>\n<\/div><\/div>\n\n

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Laurier Lacroix, \u201cLes petits J\u00e9sus de cire\u201d, Cap-aux-diamants, <\/em>number 32 (Winter 1993), p. 28-31.<\/p>\n<\/div><\/div>\n\n

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Laurier Turgeon (dir.), Le patrimoine religieux du Qu\u00e9bec : entre culture et culturel, <\/em>Qu\u00e9bec, Les Presses de l\u2019Universit\u00e9 Laval, 2005, 562 p.<\/p>\n<\/div><\/div>\n\n

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Ariane Robitaille, \u201cLes Enfants-J\u00e9sus en cire, une tradition des Augustines depuis 1639\u201d, [online: http:\/\/www.augustines.ca\/fr\/actualites\/65<\/a>] (consulted November 24, 2017).<\/p>\n<\/div><\/div>\n\n

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Diane Audy, \u201cLa fabrication d\u2019objets en cire chez les Augustines\u201d, Site du Patrimoine immat\u00e9riel religieux du Qu\u00e9bec<\/p>\n<\/div><\/div>\n\n

[online: http:\/\/www.ipir.ulaval.ca\/fiche.php?id=518<\/a>]<\/p>\n<\/div><\/div>\n\n

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(consulted November 24, 2017)<\/p>\n<\/div><\/div>\n\n

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[1]<\/a> \u2018\u2019Sainte artisane\u2019\u2019 in french.<\/p>\n<\/div><\/div>\n\n

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[2]<\/a> According to a report by Jean-Robert Faucher, RDI, 2003.<\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"For practicing Catholics, it is customary to place a Nativity scene at the foot of the Christmas tree as the Holidays approach. 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